Cat Moment

The resident cat had a face to face with our betta. Beth saw it all. Mowgli climbed onto the counter where the betta’s bowl sits. Bettas, for the uninformed, are aka Japanese Fighting Fish. Males cannot share a bowl, and as I understand, males and females aren’t too good together either.

The cat has shown interest in the fish but never intruded before. Today, he stuck his nose right into the bowl. The fish reacted by leaping completely out of the water and slapping the cat on the face with his tail. The cat lurched back. He pondered a reinvestigation of the fish situation then chose to beat a retreat.

The fish is a leaper. When I feed him, I hold the pellets over the water so that he knows they are there and the fish leaps at my fingers. He moves about excitedly whenever I near him.

Mowgli and I had a mouse moment years ago. He had cornered a mouse in the house. I got a glass with which to capture the mouse. I held Mowgli with one hand and reach with the glass with the other. The mouse reacted by lunging at us, which caused me and the cat both to flinch back, and the mouse escaped.

A similar anecdote occurred with a previous cat. Huck was a fighting guy, and an outdoors cat. I saw that he had captured a chipmunk. I grasped the cat to get him to let the chipmunk go. Huck released the chipmunk. Before the critter escaped, it swatted the immobilized cat on the nose then ran away. Huck was pissed.

The Thorn Rosary by Eileen R. Tabios

Eileen Tabios has produced a selected prose collection (with new poems), published by Marsh Hawk Press. It leads me to some divagations.

Eileen’s published oeuvre is prodigious, so selection seems like a devilish task. I see it more as a recontextualizing of previous work. Eileen’s work owes much to series. The serial urge is an urge to complete, at least in some sense. Complete and yet to invite furtherance. I mean, when a series ends, invisible threads continue to stretch, the process does not stop. That is how I see poems in series.

I have already read much of the work here, because I have a number of the representative books. I said her work owes to series, but I mean more like concatenation, linkage of poems to each other, series to each other. The familiar here from the books I have reads differently in this new context.

The stresses have changed, words echo in new ways.

Eileen’s work is planted in a critical context. Thomas Fink, who selected the work, provides an introduction, and Joi Barrios adds an afterword. This situation of her work within context is essential in Eileen’s practice. Her writing rises from relational situations, historical, cultural, familial, and critical. These contexts are fluid and overlapping.

This selection, as noted, is of her prose writing. One might clarify by saying her prose poetry, but then we sink into a morass of terminology that may be more confusing than useful to explore. Or I should say, it is interesting to explore, but such an exploration is not a necessity to the enjoyment of these works, and may be a distraction.

I mean, what is poetry and what is prose?

Some 11 years ago, I shook off my accrued sense of poetry. I studied under Robert Grenier who, despite his obvious preference towards a poetry that would be identified as LANGUAGE poetry (not that that lump sum term can really define any territory properly), was very supportive of the discovering writer. I performed a slow discovery, over years and years, of where my writing came from and burgeoned towards, until I finally realized that the sentence worked for me. That the metre of the sentence could preside over the words that I knew.

I began making poetry, then, in prose. It is poetry because it is not just guided by the mentor called Good English (or good whatever language, but English is what I use). I allow disjunction, and fragmentation, and linear discontinuity to make their reports. Poetry, I see, insists on timely subversions. I learned that from Emily Dickinson.

Eileen uses different insistencies to provoke the heart of language. Her sentences are largely straightforward in their report, yet she maintains a relentless twining. Themes are immediate and conjunctive. And adjunctive. That is how this book, that is sifted from other books, is a NEW book. The returns are instructive and spiral to new vantage.

Eileen’s subversions are headturning. The curious embrace of Ferdinand Marcos’ daughter, in the office of writing towards her late father, is a feat of telling surprise. Eileen is a cork bobbing in the meeting of streams.

The Thorn Rosary is a handsomely turned out affair. It’s a hefty handful sized something like 8”x10”. I like the design, especially (and surprisingly) the use of a calligraphic font for headers. The book looks fresh and inviting.

As always with Eileen’s books, there are notes and bibliography and that sort of Olsonian process brought directly into the work itself. I love that! The experiment that is Eileen Tabios is fascinating to witness.

Picture of Robert Lowell

The book Lost Puritan by Paul Mariani features a picture of Robert Lowell on the cover. It is a loaded picture, or I am willing to see it so.

I am only in progress with the book (the bibliography of my previous post lists books that I am reading as well as have read), but it seems better than Mariani’s bio of WC Williams. That thing was a stodgy, dry affair. It seemed to leech my interest away from Williams (like Williams was to blame!). But I am on about something else here, the image of Lowell.

It is a black and white photo. Lowell sits on the ground with his back against the trunk of a large tree, presumably oak. It looks like leaves are on the ground, so let us say that it is fall. Some houses are visible in the background. The scene could be some New England suburb, or Lowell could be situated in a more rural area. You know, somewhere where artists gather.

Lowell cuts a lanky figure with long legs. He is dressed darkly, maybe even in black. He faces stage right, not quite a full profile. He has a cigarette in upraised hand, either pre or post inhalation. Well, say pre, since no smoke cloud is evident. He stares super pensively.

The image is plausibly powerful, but really it is just silly. Roving photographer did not just happen upon genus poet, poet was posed. Robert, look over there and look serious. Is he really thinking of a way to translate the experience of this moment (whatever he is looking at) into pentametric iambs? Jeez, I hope so.

The picture is in the class Author Photo. It is not at the level of Truman Capote’s portraits. Capote’s author photos have all the spontaneity of Norma Desmond. There’s one (Music for Chameleons, maybe?) where he places his fingers with precision about his face. It looks like the 80s precursor of gang signs, yo.

The malarkey level of Lowell’s picture is about average. He is playing the game. Anyway, author photo will always be a contrivance, whether the photo is posed or an image caught off, but presented on, guard. Selected for a reason.

Maybe not always. This book by B. F. Skinner that I have offers an image of him on the back cover. It is a smudgy black and white shot of him seated paging thru a book. The pages were in motion at the shutter click. Some people can be blurrily seen in the background. It is not a posed picture, it does not even look chosen. It looks like the first picture to come to hand. Even so, it says something.

Lowell’s picture seems especially pregnant. I am not what you call interested in Lowell. His poems are way to intrigued for me. The craft of such poetry is craftiness. There is a sense of production to his work that probably could take a Marxist reading. Lowell translates experience into poems. In The Dolphin, and elsewhere, he famously quotes letters from his ex-wife Elizabeth Hardwick. Those italicized passages of Hardwick overwhelm Lowell’s ratty poetics because Hardwick’s words are free of the elabouration that Lowell extrudes.

Lowell is youngish in the picture, tho I will not be so bold as to guess what I mean by youngish. Early 30s, maybe, or younger. Elsewhere in the book there’s a shot of him and his hair verges on a Trotsky pompadour. In the cover picture, his hair is fairly tamed. Lowell himself looks untamed.

Lowell’s eyes are dark in the picture, and the seriousness of his pose really feels weighty. I will not overwork my impression except to say that there is intention in the pose and posture.

Lowell’s work never made much impression on me. I have recounted before that in Robert Grenier’s class, we read Lowell’s “Skunk Island” as if Zukofsky had written it. Grenier led us to hear the syllables homophonically. I did not think this was within Lowell’s sense of mission, nor do I. Grenier could know better, not that it even matters what Lowell intended, because Grenier (amazingly) studied under Lowell. This is not something that I knew at the time.

The idea of confessional poet is obnoxious to me. Of course the term confessional poet is one of those shorthand labels that pretend to greater accuracy than they can bear. There is more to Lowell (and Plath, Sexton, Snodgrass) than confession, but an imperative to divulge certainly exists.

This sense of confession arises from a need to make a subject. Lowell et al. overload that subject. They create spasms of intent out of their nerve storms. They try to make poetry out of that, but the psychological impetus outweighs the poetic. Just as in the cover photo, too much focus plays on the poet’s image.

And yet I am reading this bio, of a poet that I am not much interested in (tho Elizabeth Bishop, guest star, has begun to intrigue me).  Got to shake off the imagery of image, if the words of the writer are to be read.

Bibliography

I recently started keeping a list of what I have been reading. this list has no theme, I suppose, except what has come to me to read. The history books and one or two others are books that Erin has to read this semester. The biographies are all from the library. I could grab just about anything in the biography section. I mean, there were bios of every member of ‘N SYNC. I will either screw up my courage and take the books out, or read them there. Anyway, this list represents something or other.

Biographies

Lenin, Ronald Clark
One Fine Stooge, Larry Fine's Frizzy Life in Pictures, Steve Cox & Jim Terry
Little Man (Meyer Lansky), Robert Lacey
Dr Goebbels, His Life and Death, Roger Manvell
Lost Puritan (Robert Lowell), Paul Mariani
Many Tears from Now, Paul McCartney
Scott Fitzgerald, Jeffrey Meyer
One Matchless Time (William Faulkner), Jay Parini
The Unabridged Journals of Sylvia Plath
History
History—A Very Short Introduction, John H. Arnold
A Brief History of the Human Race, Michael Cook
A Brief History of Islam* Tamara Sonn
Learning
The Artist's Way at Work, Mark Bryan with Julia Cameron & Catherine Allen
Moral Principles in Education, John Dewey
Experience and Education, John Dewey
Reading Magic, Mem Fox
Pedagogy of the Oppressed, Paulo Freire
Thinking in Pictures,Temple Grandin
A Pedagogy for Liberation, Ira Shor & Paulo Freire
Beyond Freedom and Dignity, B.F. Skinner
The Writer's Journey, Christopher Vogler
Leaving Microsoft to Change the World, John Wood
Novels
Clan of the Cave Bear, Jean Auel
Sphere, Michael Crichton
Down and Out in the Magic Kingdom, Cory Doctorow
For Whom the Bell Tolls, Ernest Hemingway
Philosophy
Understanding the Mind, Geshe Kelsang Gyatso
The Phenomenology of Mind, G. W. F Hegel
Kant, Robert Scruton
Hegel, Peter Singer
Why Religion Matters, Huston Smith
Technical
HTML, XHTML & CSS, Elizabeth Castro
Microsoft Manual of Style for Technical Publications

Bruce Stater

Alan Sondheim posted this link to Bruce Stater's work on the Wryting-L list. I have just poked at it so far, but it is worth poking at.

Salinger & Zinn *** Updated ***

I do not need to consult Ron Silliman’s Death's Head Conservatory—and wouldn’t you know it, he has yet to mark the occasion of these two writer’s flight from this mortal coil—the news is widely abroad. Selah.

Yes, I read whatever was available by JD Salinger when I was in high school. I thought Catcher in the Rye was fantabulous for a while there. It resonates for teenagers, I think. It also performs self-pity at an alarming pace. I know by the time I was in college, the zest of C in the R was entirely used up. His other stories were too precious for my taste, archly unctuous with a fiddled with stance. One man’s opinion, and all.

One notices in the notices the constant refrain of recluse applied to Salinger. Why the emphasis on that? Maybe it surprises people that he did not go all Truman Capote when he got some success. His reclusivity is a tired meta feature. Like Capote, he does not seem to have had a lot of writing in him. I am being crass, of course. He wrote a distinguishable oeuvre, that should suffice. Douglas Adams wrote his 7 novels then moved on to other things including, alas, the big vacation. Salinger as recluse is a minor talking point, one would think.

I have only read one book by Howard Zinn, and some articles, but I think he was a vital contemporary historian. If you look at the publication dates of his books, and what they are about, you will see that he was perceptive about the present day. He identified the congealing menace of American policy in Vietnam early on, for instance. I would liken him to Noam Chomsky (whom Ali G (Sacha Baron Cohen) referred to as Norman). His son went to Franconia College, which I guess makes me impressive somehow.

It seems we need these writers as heroes working for us.

N.B. Ron Silliman finally got pictures of Death’s latest collectibles up on his blog, and I must say, that is a hellacious picture of Salinger.

Avatar—Best Blurry Movie Ever!!!

But it is more than just a blurry movie! It’s a blurry blockbuster!!!

This is my first 3-D movie, not including a couple of 3 Stooges shorts from the 50s (Joe Besser) that featured a lot of poking towards the camera. Imagine! Poked in the eye by Moe! The technology has pressed forward since then. The glasses were quite incred, sturdier than I expected. Allow me to speak further about this wonder of a flick.

First of all, I seem to have missed what I assume was considerable anticipation for the movie. Only recently had I heard of it. Ads made me think it was Dragonriders of Pern. Seems like Pern should be hitting the screen sometime. Anyway, Cameron fished around in numerous ponds for inspiration. Why make up stuff when someone’s already done it?

Well wait, I did not even mench the trailers. Coming up in our collective entertainment future are a few good bets, speaking hopefully. I have no interest in, say, a tearjerking festival starring Harrison Ford and Brendan Fraser, as advertised on tv, tho neither of whom inhabit my Tom Cruise Memorial Dislike File. At least in the theatre, I prefer movies of vast expanse, no matter how dumb, to movies of import. Enter Avatar, but before that:

• Robin Hood by Ridley Scott, with Russell Crowe: yes, Gladiator 2: Maximus in England. It looks nothing Robin Hoodish that I have seen or read, but it looks satisfying in its swords and vengeance way, and I think some thumpa thumpa score. Which allows me to quote one of the Robin Hood ballads from Child’s collection, to wit: “And a mickle of his might was he, was he, hey ho”. Don’t know what it means but it has a nice ring.
• Some Harry Potterish hijinx involving the children of the gods, starring Boromir (Sean Bean) as Zeus.
• A Tom Cruise movie in which Tom seems especially incredible. It is fiction, you know. He seems to be in antic boyish mode here, like on Oprah’s couch. On the other hand, he’s Tom Cruise.
• Clash of the Titans, which I do not suppose can top Ray Harryhausen’s work, even with (I think) Liam Neeson as Zeus. Two Zeus’ in one night! There is a lengthy trail of movies in which Neeson played a minor lug, then he stepped up in echelon to play kings and such all over the place. Good job, Liam!
• Alice in Wonderland by the mechanically gothic Tim Burton, with Johnny Depp asserting weirdness as the Mad Hatter. The wheel’s off Burton’s trike, you ask me.
• A Shrek movie, in 3-D. You can have it. The look of the Shrek movies bothers me, and 3-D will not help. It seems that in Shrek World some diminishment has occurred in the characters by this installment, what with Thomas Mann apparently doing the screenplay. Include me out.
• Some nameless feature about bags of popcorn and cups of soft drinks running thru a cinema. Not much plot evident in this trailer, but obviously some surrealist genius behind this flick.

So anyway, Cameron’s extravagance.

Well, it was an experience. And it is blurry, even with the specs. The edges of the screen tend to lose focus, and many of the fluttery things intended to give depth look blobby, merely. Overall I’m with it, but a real deflation occurs when I notice holes in the process. I have no doubt that Harryhausen’s claymation beats the evident mondo class narcosis of the remake, that’s where I stand with fx.

Avatar begins as if it were a scifi, but one of grand scale. I would like to see that movie, but once our erstwhile hero lands on Pandora the scifi ratchets down to more like Starship Trooper, and the movie becomes more fantasy. But not really. It still has grand scale but moviemaking weaknesses flex too much slurpiness into the story. I think Cameron did a movie about some boat sinking, with similar weakness.

Pandora, the planet, is a lush, vividly rendered place. It is not unlike, um, the North American continent back when that squirrel ran thru the trees from the Atlantic coast to the Mississipp. The military materiel looked vivid in its extreme onslaught, huge and mighty. This is where the 3D really erupts.

Plotwise the movie is sort of interesting, if you don’t mind having heard it all before. The cast is plain, nothing bad but no one stands out. The natives, I dunno what they are called, are thankless roles for the actors, because they are all squeezed into whatever cgi movie magic that Industrial Light and Magic can motivate. Let us thank ILM for making all movies look alike.

Wes Studi, Magua in Last of the Mohicans, was in there somewhere, probably our hero’s rival, but I did not recognize him. James Horner starred as the guy who stuck all the drumming in the score (as he has done before), which I like.

So this guy had a twin brother who was working on a project on Pandora but he dies so the guy is sent as his replacement because of their shared genetics. The twin is not otherwise viable, i.e. not a scientist. The project is one in which the aliens are genetically replicated, and earthlings are transferred into them (mind swap), so that these replicants can be used to infiltrate the natives. Got that? There will be a quiz on Facebook, so bone up.

Our hero, I neglected to mention, is wheelchair bound (tho not so in space). Transferred into the other body, he has use of his legs. That’s a nice touch tho Cameron made little of that aspect.

The natives—I keep wanting to write aliens—are very tall, long-limbed, and slender. Pandora is a low-gravity planet. Kim Stanley Robinson in his Mars series, presents human inhabitants of Mars as evolving similar physical features.

Our hero—I don’t remember his name, I do not even recall what the guy looked like—in alien bod, joins the scientists in a field study. He bumbles off into the magnificent jungle. Here he sees ferlies a-plenty, as well as fauna of the large and ferocious sort. His escape from the creatures leaves him alone in the jungle. By nightfall he’s up against the Pandoran analogue for wolves and coyotes. He is nearly overwhelmed. Just prior to that he is about to get an arrow in him from a Pandoran, but she pulls up because a jellyfishlike seed pod gives her a sign. When the beasties attack our hero, she comes dashing in to rescue. Not sure how she recognizes our hero as not a Pandoran, but she does. Anyway, this is how you meet cute on Pandora.

And then he is brought back to—shall we call it a tribe?—who all hate our hero except our heroine’s mother, who is visionary and sees that our hero should be allowed into the tribe. This is called putting the plot into 2nd gear.

But they knock it back to 1st gear as there is more plot to set up, namely the tension of the evil greengrab antagonist and the meanie military. It turns out that the natives live right on top of a plentiful lode of, no kidding, unobtainium. Our hero is part of the time learning Pandoran ways and flirting with our heroine, and part of the time betraying the Pandorans.

Cameron spends a lot of time letting our hero and heroine run thru the treetops, leaping from tree to tree, showing off the lushness of the planet while letting vertigo mess with us. The visual style comes directly from the covers of scifi and fantasy, say Boris Vallejo. This is really wonderful, and we are not burdened with that pesky question: what happens next? Plot, however, must be playedout in diligent form. There is a mild tension between the guy our heroine was sort of betrothed to and our hero, wholly cursory. Some nice scenes as our hero gets himself a flying mount. Pandorans have long queues that they can insert into the usb ports of these ‘dragons’, thereby creating instant communication, an inter-special buddy system. Which does not explain how one can remain mounted on such creatures whilst plummeting and barrel rolling at several g’s.

Eventually the bad military guy, who I thought for a while might be the terminator in T2 (bulked up), gets to step forward, plotwise, and instigate terrible destruction on the Pandorans, including blasting the bejesus out of the mega huge tree that is central to the tribe. Our hero, of course, is conflicted but finally opts for the Pandorans. He must save the day because, well, you know. Dare I say white man’s burden? This is shades of The Last Samurai.

Military might meets plucky bows and arrows, and, of course, loses. Oddly, the successful Pandoran cavalry charge versus the mere 22nd century human armament did not seem convincing, but the Pandorans won. Thanks to our hero, who had the right stuff. The denouement is the standard lengthy tête-à-tête between our hero and the hard to kill bad guy, the military man. Finally, the military guy dies and the lovers can unite. The End.

I neglected to speak of the communal ritual dancing, which is supposed to be ceremonial but looks like the bad dream of a Hollywood choreographer. It made me laugh.

Cameron’s inspiration had very little to do with the story he had. He had pictures to share, and technique. Why not use the trite and true for the plot, says he. The ecological theme could have been more sincere, instead it was stuck in the Noble Savage universe. Think of Titanic, which had a desperately intriguing plot built in, yet Cameron trotted off with the 2-bit love story. Of course, he’s right and I am wrong, since he manufactured a money pool of assent to his work, and I merely got bored with his Leonardo-centric world.

I enjoyed the nearly three hours of Avatar, tho I was in frequent contact with the debit column as I watched. Visually, it is ripe to over ripe. I have seen the future, and it look like the past.

Library Haul

I raided the library for another (see December 17) bunch of books, just to keep a range on hand. The past week or so, I finished the Larry Fine bio, and the Faulkner one, as well as read a Tony Hillerman that I had. I have nearly finished the Pohl, nibbled at Pater, find Toffler a bit boring, and I read the Calamus section of Leaves of Grass straight thru. Here is what I got this evening:

• Absalom, Absalom!, I read it years ago. It is experimental, like Faulkner’s best books, but shows more effort than Fury or Dying. It is a more difficult read. I will start in on it tonight, methinks.
• The Mansion, another one that I have read before. His presentation is less disjunctive than his masterpieces, but he is still pressing the language. A sort of drippy adjective-rich writing exists that is mongered as quintessential, such that you will hear passages of it quoted reverently, like on public radio. It is mushy writing but if you have Dylan Thomas’ pipes it can sound nearly wonderful. Faulkner’s prose is crazier than that sort of writing. He certainly knows he’s pushing the canopy, but he’s also just throwing it into the moat and seeing if anyone will salute. When he bounds away on one of his endless sentences, it’s an aerial stunt that you are compelled to watch. In contradistinction to, say, Amy Clampitt, who, looks at the turf of her sentences as subdivisions, each plot grimly separated by commas, periods and—heaven help us!—semi-colons. It’s a bumpy ride with Faulkner, but worth the experience.
• A bio of F Scott Fitzgerald by Jeffrey Meyers. Pretty sure I have read something by Meyer…
• A bio of Josef Goebbels. Perhaps there’s an afterword by Dick Cheney…
• Sphere, by Michael Crichton. I have read a number of his books and seen quite a few of his movies (but never saw ER). He gets the elements together nicely. This one caught my attention because the title does not appear on front cover or spine. In fact, I managed to see the cover illustration as being the Antikythera machine. It is instead a spiral of numbers that I am just guessing has something to do with the plot.
• The Man Who Would Be King, about the man, a Quaker, who was the 1st American in Afghanistan.
• Philosophical Writings of Peirce, I would like to read more by him.

Faulkner

Reading a bio of William Faulkner by Jay Parini, One Matchless Time. I did not know much about him, tho I have read 5 or 6 of his novels and a few stories. I have always responded positively to his work, even tho I’ve wondered about it.

What makes me hesitate is perhaps his self-assured flamboyancy. It is the same distrust I have for actors. According to Parini, Faulkner was an actor, making up tales about his past and such like. For instance, exaggerations about getting injured during WWI. He trained for the RAF in Canada but never made it to the action, yet he somehow ended up with a limp. Which reminds me of a story that Robert Creamer tells of Babe Ruth. Ruth cut his hand on the fence while trying to field a ball. The trainer came out and removed Babe from the game. Ruth limped from the field.

It is always interesting to see where a writer or any artist breaks from the tyro stage and starts asserting the mature style and vision. Faulkner’s breakthru was I think his 4th novel, The Sound and the Fury. That is likely the first book by him that I read. Its entwined narratives and viewpoints is really effective, his mythology is fully figured, and the whole thing drips with inspection. Some of the obliquity is high falutin’, which is part of my distrust of Faulkner. You can see him being a bad influence on certain writers as a high sign for excess, just as Kerouac or Whitman could be for some. Still, he let narrative buckle under its weight, and that fragmentation is exhilaration. Yul Brynner (with hair) played Jason Compson in the movie version. I like Brynner, and it is possible that he could fit the role, but the idea was too bumptious for me and I switched the channel. I am older now and may be able to handle it.

As I Lay Dying followed. I read the familiar paperback edition with both S&F and Dying together. They are satisfying, vivid novels that can be held next to Woolf’s great works and with Ulysses. The other Faulkner novels that I have read kinda blur in my mind. And didn’t he tramp off to Hollywood?

Racism and sexism are empty enough words; they implicate more about the human animal than they can express. Both are elements in Faulkner’s work, and are tricky to navigate. The trick, I mean, is where Faulkner stands. In the muck, finally. He is an actor, as I said. I admit that I like how he wields his style, with happy yet resilient vigour. In contradistinction, perhaps, to Thomas Wolfe. There is a command in Faulkner that Wolfe maybe lacked.

As I said, I responded immediately to Faulkner. Hemingway resides in the other hand. Hemingway’s bullfighting book is fascinating but his fiction does nothing for me. Old Man and the Sea is pure malarkey so far as I can tell. Funny, tho, you can see how he and Stein have some commonalities.

I know nothing of Parini but he seems to be decent enough as a bio writer. There’s a vivid sea change when he gets to where he can speak of Sound & Fury. Prior to that he is almost perfunctory in speaking of the amorphous muggins that is his subject. Faulkner finally grows up with that novel and Parini can say Ecce homo.

That growing up as a writer (Faulkner the regular person offers filigrees of juicily well-etched particulars) is a useful consideration  (shall we dance?). There is no straight road in creative endeavours. Thomas the Rhymer:

O see ye not yon narrow road,

So thick beset wi' thorns and briers?

That is the Path of Righteousness,

Though after it but few inquires.

 

And see ye not yon braid, braid road,

That lies across the lily leven?

That is the Path of Wickedness,

Though some call it the Road to Heaven.

Faulkner found a place, Yoknaphatawpha county, where the world can be included. The stories blur together some, and I am sure that Sound and Dying represent Faulkner’s MVP seasons, but he had created a creative life in developing that place. A creative person is a creative lesson.

It’s A Mall, Whirled

Today’s visit could be our final mall trip of the season. The impetus was some Eddie Bauer coupons that might expire today or soon.PLUS a possible storm coming, which may lay havoc, etc. The Weather Channel forecast certain doom for most of the Atlantic coast, and Santa Claus is reading the papers and thinking he will have to cancel Christmas. On with the mukluks, said we, a finger snap in the face of Boreas, and see what the mall offers.

Before I go further, I must ramble a bit about Christmas music. You hear so many of the familiar songs tarted up by musical factotums in a desperate effort to sound original. You know, Rudolph the Red Nosed Reindeer with a Phil Spector wall of sound production. Or any number of your favourite recording artists attempting to sound sincere while singing about silver bells and winter wonderlands. And of course Elvis singing weela hava huh huh blue Christmas without you… Ick! Chrissie Hynde singing “2000 Miles” is an exception. Playing it now.

Anyway, we arrived at the mall with anticipation. I mean, we were caught in an obvious mallward flow but awaited the telling visual that things were all right, and that Obama’s sensitive bailout of the banks would piss relief on us all. Beth and I really take this seriously, how the turnings of the economic turbine are revealed at the mall. As the economic edifice came in sight we were satisfied that business was at least churning. Not, however, like the time a few years ago when we arrived, entered a hopeless flow around the mall where no parking was evident. It was an hour journey around the place with no parking space for reward. That was then, before Goldman Sachs decided a change was necessary. Today, there were some, few, spaces for our phaeton. Actually stared down an interloper who eyed the selfsame space that we, by the grace of all the gods, had seen first.

We went directly to Eddie Bauer, which is located by an entrance, because we actually had a reason to be there. O Fortuna! There was a 25% sale on EVERYTHING!!! Using a coupon and some Bauer rebate for being avid shoppers (economy savers, really, adding our trickle to the trickle down), we ended up paying 45% off. Lengthy line to the cashiers, stalwart clothes for all.

After Bauer we entered the maw of the beast. Climbing the topsail, I lost my leg!

In the centre of the mall there was this fenced off area and there was like a line of people, both grownups and children, and they were like waiting there to see this guy with this like white beard. The parents weren’t allowed to get close to him but the children were brought like right up to him and even sat on his lap. He’d talk to them and stuff, and scare some of them, and laugh and all. Someone was there to take pictures of the children, who were generally dressed up in Sunday best. He did not seem impressed by the selection of children but the parents looked pleased when their children were returned to them. I guess it is good that he gave all the children back. He seemed to have a lot of power, somehow. I swan to John.

We did not effort to enter many stores, actually. A goodly, but not greatly, mob was in evidence. A denizen of the kiosks said to Beth, I wish I could put this on your neck. The this in question was one of those neck relaxers (Reed Richards swears by them!), whatever the hell those things are. I think this entrepreneur’s approach could use some work.

We tucked ourselves into Nordstrom’s for a bit. It occurs to me that they removed the red carpet that was there at the entrance in earlier visits. Some boys ahead of us actually hopped onto a couch as they hustled thru the women’s shoes district near the entrance. Had I just entered a John Hughes movie? Not much stopped me in the store. I saw an astonishingly loud shirt, a canny mixture of paisley and peyote would be my guess. Visited again the coat that would never be. It’s okay, it’s okay.

We stopped at Au Bon Pain. Scones for each of us: chocolat pour moi et orange pour mon amour. We consumed our scones in a rest area of couches and comfy chairs near a Cadillac that was either for sale or a contest prize. A family sat down just after us. Not exactly sat. The mother deposited her husband and 4 children so that she could invest some solo expedition. The man sunk swiftly into the comfort of a couch while the children swarmed. Three boys close in age and a girl, who was youngest. The girl wore a pair of pink wings, had a pacifier in her mouth, and one in each hand. Dad wanted to chill but that did not fit in with the directive of the children. At one point the boys ran excitedly towards the Cadillac with the girl in their wake. For about 20 seconds they showed considerable interest in and excitement towards the car, unlike the American public, then they returned as if there was naught to remark about the car. The boys then rushed off somewhere. Dad decided that the girl, eager tho she was, should not tag along. This was a blow to her, and she cried, thunderstuck. She was still in sulk as we left.

We made tracks to Whole Foods, in search of a ham. Beth wants to do a ham for Christmas Eve. We have friends coming. We are talking an uncured ham, which Beth will brine and glaze and whatever the recipe says. This is something she saw in Cook’s magazine. Neither of us, over the years, have been that much into recipes, but we have decided to follow recipes lately, and Cook’s Magazine supplies not only good recipes but helpful gastronomic science.

IA recent visit to Whole Foods afforded me a Yeti ornament, which I have not stuck on the tree, preferring to stick it over there. I seem to be collecting evidence of Yeti, that is, images of the fell creature. At this selfsame Whole Foods I got a picture of a Yeti produce box (I fortuitously had had my camera in my pocket).

Note the encouraging thumbs up! It’s all right if Yeti says it’s so. I also found a beer, a stoutly stout, with Yeti appeal.

Close to 10% alcohol, a subtle wallop. Call it headache in a bottle, but I digress. Yeti has appeared in some of my writings, a book I mean to publish, so there’s the interest. The ornament is too white for me to get a decent picture of, at least so far, but trust me, I am on the prowl for more pix. Anyway, I guess there were no adventures at Whole Foods today. We ordered the ham and managed to return home unflaked upon. Four hours after the snow warning began here, still no snow. We shall see what Boreas delivers anon.

New Poems at Simple Theories

More poems at my poetry blog, Simple Theories.

Some Reading

I went to the library yesterday to collect a bunch of books. I just wanted some variety. This is what I came home with:

• 2 scifi, by Frederik  Pohl and Vernor Vinge. I’ve read books by both. I did not want to get any of that overextended stuff in 3, or 14, volumes. I like the commitment that goes into such series, but they tend to become extenuated. These 2 books seem to be discrete stories and built for speed.
• Plato and Platonism by Walter Pater. I have only read a little by Pater, plus a pretty good bio. I can imagine him at Oxford in a hashish haze (I mean figuratively, I don’t mean that he toked), with ideas of art and purity and what all.
• A bio of Larry Fine. Bios always interest me, and why not the middle Stooge?
• Powershift by Alvin Toffler. I’ve never read this sort of thing. Futurist? It was published in 1990. Let us see if he wasn’t a pastist.
• A bio of William Faulkner. I’ve read a lot of his novels and enjoy them, and still am not sure if I should like them.
• A collection of Whitman’s poetry. I wanted to read work by the guy who wrote the Levi commercials. Actually, my Whitman books are packed away, and I had a hankering. The commercials are the sort of predictable cool malarkey that some fast-paced New Yorker whupped up. Let’s be impressed together! Speaking of which, I wasn’t paying a lot of attention but Dolce e Gabbana has a commercial featuring a human featurette, male division, strutting handsomely to the conclusion of the commercial, at which point we realize that it is Matthew McConaughey. Really? The image I get of him is the lovable knucklehead, which does not seem to be quite the image for marketing Italian smelly stuff. I could be wrong.

Bed Bath & Beyond, and Beyond

We went to Bed Bath and Beyond Saturday for specific minor home goods needs. Actually, I went to discover what could be comprised in the term beyond. It sounds post-modern, with implications of a vast new possibility. The 4th dimension of home, hmm…

We used to go to Linens ‘n Things but that store, locally at least, has gone to that great thing in the sky. You will notice that Bed Bath & Beyond employs an ampersand whilst Linen ‘n Things goes with elision to express its commercial nature koan style. This must mean something. It must! I am still working on what a bed bath is.

I did not think I had ever been in BB&B but on entering, I had to wonder. It was set up just like Linen ‘n Things, which was located in the next strip mall over. Both strip malls are within hailing distance of our great, legendary shopping mall yclept Burlington Mall. Yes, that is the commercial turbine within which we spin.

So BB&B looks just like Linen did. Once thru the door you enter a counter-clockwise flow that lets you peruse every single piece of available merchandise. Ikea does this on a much broader scale. A circumnavigational aisle offers inlets of interest as well as stuff right there in the aisle. Need a radio in the shower? No prob! Pots and pans? No sweat. Bedding? Of course. I recognized most everything that I saw, so I do not know what was beyond. I do know that hearing Golden Earring play “Twilight Zone” was a surprise and a wonder.

Beth found what she needed. I saw a men’s grooming tool. I guess tool is the wrong word. A grooming aid for men. It is for trimming hair under the arm and in the area of naughty bits. Nice! The package showed an illustration of a man. This was necessary because no words indicated on what sections of a men’s body this item might be applied. Instead, there were red circles around the armpits and groin. No naughty bit was suggested in the illustration, so one might wonder just how efficient this grooming aid might be. One just might.

I neglected to mench that the store was extremely busy, with quite a crowd trying to pass by the cashiers. I ended up waiting in line while Beth made a second run thru for an item that she needed. This gave me the opportunity to look at a Wonder of Wonders, Grater Division. It is a re-envisioning of the common kitchen grater. Instead of being a metal item with a rough surface, it was a ceramic item with a rough surface. It also comes with a small ceramic dish, which I have to admit is something my present graters lack, at least in the sense of being a set. Here, then, is some real beyond thinking.

This grater’s brand was called The Pitchmen. Pictured on the package were our late friend Billy Mays, and Anthony Sullivan. Sullivan is another familiar sayer of No Wait There’s More!!! Why their being pitchmen implies product quality is something one could ponder. Without wishing ill of the man or being a dick, I also wonder why Mays’ death touched people as it did. I mean, I never felt much relationship with him. I am puzzled why he chose to yell at me as he did, but other than that, I did not feel that we grokked.

The next day we entered Whole Foods to the distinctive sound of—can you guess?—“Radar Love” by Golden Earring. Two Golden Earring moments in two days. The stars have aligned! Fun Fact: Golden Earring has been around since 1961. Holy Crap!

Today I did the mall solo. Beth was meeting a friend at Barnes & Noble across the way. Erin had his own mall mission, so I decided I would just wander thru the mall without Beth’s insight and perspective. We arrived at the mall at 10:00, which, we discovered, is one hour before most stores open on Sunday. Well!

I think the mall itself opened at 9:30, but the only stores exploiting this opportunity were Dunkin Donuts and Au Bon Pain. DD had an extensive line, which I had no intention of joining (I like my coffee to taste like coffee). Erin and I walked thru the mall together for a while. All the kiosks and carts were covered, stores were dark or, if not, then doors were snugly closed. The Apple Store had a red rope across the door, and a red shirt to pleasantly (I assume) bar you from entering.

Despite these discouraging tidings there were quite a few people wandering the halls of commerce. The escalators were not moving, the ubiquitous televisions were dark and quiet, and the string quartet was just tuning up. Eventually Erin split off for his mission. I made maybe 4 circuits of the place, upstairs and down. Few insights to report but I did get nail clippers at CVS. No prob with CVS but what’s a common store like that doing at the mall? Tone, people, tone!

Before stores opened, I saw Santa Claus in mufti. He carried a valise. Once the mall got into gear, the Santa Trap filled quickly with parents and their primped up children. Santa also regularly appears on the tvs, with essential news about his website. I have noticed that Santa tends to speak with a drawl. I do not know how to account for that.

So, does Santa ever visit Superman at the Fortress of Solitude, or Superman come visit Santa at the Workshop? I suppose Santa is busy churning out toys and Superman’s busy being alone, so alone.

We finished this excursion by gathering at the food court. There is quickie Thai, Chinese, and Japanese cuisine available. By my experience, if these are indicative, the 3 regions produce exactly the same stuff, with a highlight on starchy sweet and sour. Right now (because purveyors come and go quite a bit), these are the Food Court Choices:

• Some new place combining cupcakes and ice cream. Is the ice cream inside, or just on top? I dunno.
• A place offering toasted subs and philly cheese steaks.
• A place offering crepes, panini, and movies of bread making on their tv (cool)
• A Chinese place with someone generally out front offering samples. Samples are typically offered at the crepe place, as well.
• An Indian choice, and pretty darn good. We got rice pudding once that clearly had sour milk, but our complaints were passed aside, so our enthusiasm has considerably waned.
• Pizzaria Regina, once of the North End (Boston’s Italian neighbourhood), now serving the world, and Fenway Park. I would rather pay 2 here than 7 there at Fenway.
• Thai food, very eager to serve you.
• Quiznos. just Quiznos.
• Chick-Fil-A. See, the A is long, you eventually discover, as in Chick Filet, but it just does not work for me.
• Japanese food

After our repast, we got a Christmas tree at the farm where we have gotten them every year we have been together.

More Mall Meanderings

Thanks to Eileen Tabios for the good words. It is nice to be praised for the weird stuff, tho obviously I do not consider my interest in malls weird. I do not try to explain my interest. It is a pre-existent condition. And persistent. I may even collect my many responses to commercial input in a separate blog. So today (Saturday), we could not resist another visit thru the commerce.

It really is of interest to Beth and me, the sense of the economy as figured in how the mall seems. We did, as it happens, pass by the mall yesterday, Black Friday. The parking lot looked full, and police details busily directed traffic. We skipped past to get food for a hungry betta.

Black Friday, the concept, is a nice bit of hopeful manipulation. The sense of infused desperation to get those discounts is overplayed, but effective. I recollect that Apple, for one, was actually pretty chary with its economy-invigourating price points last year. I know, it is fine for some of the population, to rise betimes and race to the store. I am not insensitive to saving money—hardly that!—but that there is little that I am needing to need by way of indiscretionary spending seasons my disinterest in rushing to consume. Don’t worry, I’ll consume. Soy Americano.

So Beth and I entered the mall and were immediately swept into the vortex of Eddie Bauer 25% Off All Merchandise. We both got a Mt Everest t-shirt. I like Eddie Bauer stuff. A fully-equipped manikin seems like a stark statement of the conditions to be met in places like Everest: just this against a sub-zero hurricane. They have a large tv screen showing a Bauer sponsored expedition to the big hill. Ed Viesturs is among those in the expedition. The video is worth a visit to the store. The music piped thru the store was something fatuous by Frank Sinatra, a Christmasy song with strained lyrics and melody with and Frank playing with the timing. Frank’s I don’t give a shit infuses my own. Purchasing an item gave us the opportunity also to get at smashing discount a mitten with an attached ice scraper. We did not make that purchase but it’s a cool idea.

From there we went to Nordstrom’s next, I think. To get there, we passed a string quartet playing selections from The Nutcracker, just to give some tone to the place. Giving further tone, the hawkers at the kiosks and carts tried a new (to me) tack: asking passersby: Can I ask you a question? No is the proper reply. It is intrusive, and as an introduction it could just as easily have been a question about my stance on abortion or life insurance.

In the window of Anthopologie (which is the phoniest store name, lame division, that I have noticed at the mall) had an answer for all those books that nobody apparently buys: an ostrich-sized bird made from books! The store sold clothes, women’s I think. We did not enter.

A red carpet was thrown down at the lower entrance to Nordstrom’s. This was a perp walk. Lined along the carpet were salespeople ready to share their perfume sample and belief therein with you. I think they spray strips of paper which then are dangled under willing noses. We declined.

I was disturbed that the carpet led nowhere, just stopped. I would have continued it, or delivered some attraction at its end. Otherwise it is just there to wipe your feet. Were our feet less dirty last week? We just breezed thru Nordstrom’s this time. Beth saw a nifty watch on the face of which was an anime figure. The figure, we were told, was the designer, one Beth had heard of. The $200 ties (and cheaper) were pretty good. Nice designs. Still, I did not see how the price of said woven Spidey-web was indicated in the quality of the ties as compared with mere $70 ones. Our exit coincided with “Santa Baby”, Eartha Kitt, Marilyn Monroe, Madonna, who knows.

The Apple Store, okay. It was even more spare now than it has been. They removed the counter at the front. Instead, near the middle, a table where purchases can be finalized sits. I would guess there were 15 red shirts (Apple store pros) in the store, possibly more, and maybe 10 customer groups. Possibly people are wore out from the discount that Steve Jobs allowed us to have on Black Friday. We actually got one of those tiny iPod Shuffles, auxiliary for Erin’s currently on the DL Zune. I should like to assert that Apple’s minimalism is leaving me behind. Not so much the tiny Shuffle but buttonlessness is no virtue. That wheel, I find with my Nano, is hard to control if hands are cold or you are wearing gloves. If you pocket the device you run the risk of the volume finding ways to go up up up or down down down. I do not, alas, feel that I am a better person because there are no buttons on the iPod. Steve, forgive me. I am just not minimal.

Pressing on to somewhere, I saw a man with a rake. At the mall. Maybe he purchased it at Sears, but if so why did he not leave by a side door. Flaunting that thing flouts the effort at upscaleness that the mall tries to express. How does the thing work, anyway, and how do you plug it in?

We made a pointed effort to find Abercrombie and Fitch because on our last visit we realized that we did not hear the thump of A&C’s background music. We checked the store listing and saw Abercrombie, listed as a children’s apparel store. Finding the store we saw that it was the murkiness we have come to expect from A&C, only directed younger. Did Fitch get religion or something? Where will all the sullen models go?

We entered J Crew this time, just to be efficient. I recall noting how lovely the place used to look, with lots of prime colours. They went batzoid with the snow theme. Crumpled shiny white paper glaringly suggested snow, I got that part. Up front there was a feature of women’s white tees. These tees were decorated with silver beads and what I take to be silver nano tubes, or they could just be metallic jimmies. The motif was reindeer, and that was all right, but does one wash said article of clothing? J Crew concedes the problem: additional beads and jimmies are supplied with the purchase. The white on white of the displays gave zero focus. I did not bother to investigate whether any men’s clothing got mixed in with the men’s apparel. I have shifted to Bauer Town.

We visited several women’s clothing stores. Beth did, I took the chair at the doorway. Ann Taylor had no chair, but it had a comfortable flow and roominess so I could get out of the way easily, and listen to the music.

Beth sought a dress, que possible. Chicos, which featured as decor ghastly gold trees made from tin foil, laughed at the idea. Beth was informed that nobody wears dresses, they’re old-fashioned. That point can be argued but the larger issue of course is how much you want to antagonize customers. We see that stores are choosing to go quite far in that direction. Good luck with that. I thought a good response to Can I help you? would be: Do you have carrion? Just a thought.

J Jill is similar to Chicos, but more positive as a shopping experience. It was set up more comfortably, and the music was better. John Lennon’s rather sanctimonious Christmas song was topped by George Harrison’s “Ring Out the Old Ring in the New”. I am not so happy with Harrison’s excursions with Phil Spector (the American Roman Polanski?), and neither was Harrison, but Harrison was good for some genuineness. The song made me happy. J Jill had dresses but nothing to go home with.

Stepped into a store featuring silver jewelry. Beth wanted to see a couple of pieces. The salesperson was crisply helpful and informative, at least what I witnessed. NO store that I saw at the mall was so busy that salespeople need to evaluate your clothing to see if you are worth helping. We were not going to buy, but you never know. A run on Days Poem could occur as people realize they want to read about Walden, hobos, bears, Fu Manchu, and Tarzan, and then I could get Beth the gifts that I want her to have. So don’t be a dick, salesperson.

A final purchase occurred at FYE (For Your Entertainment). This store is a relic, it sells cds and dvds. The experience of poking thru the bins for music or movies is kinda out the window, isn’t it. I went in knowing what I wanted, and capable of finding it. Star Trek. We watched it this Sunday morn, after family breakfast. It was satisfying. We have established Star Trek as our Thanksgiving movie.

That is largely my report. We went to Costco today, for some necessities. Ah, the delight! I will just mench that our car was parked next to a car with a license that matched ours 5 out of 6 digits, 3rd digit being X instead of Y. Which just shows to go you.

Thanksgiving, Happy

It is a good holiday, I warrant. Granted, it is built upon historical misprision, but it has its offering that we can honour, has it not?

I recall the scope of American history, as taught to me. You know, Columbus discovered this country, and that was really neat, then the Pilgrims came over, and that was really neat. Nothing much mentioned about the time between those really neats. After the amicable Pilgrim/Indian detente, we suddenly learn that Indians are our enemy, surrounding that hero Custer and annihilating his troops. Et cetera. Any reasonable scan of these ‘facts’ would leave you wondering but the real story is how mythic proportions are so important to the national concept that these stories stay bound in the psyche. It is like Whitman working overtime.

The antidote, it comes to me, is such like In the American Grain, which casts a doubting, acerbic eye on the given facts. Williams had his enthusiasms but was a relief from the doctrinal side of Whitman.

Anyway, not for me to school thee, Reader, on this, I am just recognizing the rotten parts. I want to speak of the good parts, too.

Our plans were to have Thanksgiving just ourselves. Not to be insular, but that we have not had our own celebration in years. We were looking forward to the chance. Friends, however, in a similar predicament invited us to dinner. They are pared down to just three, their eldest son being away in college, and their families spread across the country. We decided to split the meal.

Beth is the genius for cooking grand meals. She was in charge of the turkey, dressing, gravy, and her should be famous squash soup. I have done Thanksgiving meals but it is not my cooking strength. Beth started in on the bird around 9:00, same time as the Macy’s parade began.

The parade is one of those holdovers from my childhood. I remain interested in it, as part of the Day. I think the first thing that I saw was some theatrical clutter from the Broadway production of omg Annie. How do people put up with these exploits of grim production? The fakeness is plangent, which is one thing, but it is celebrated, which is quite another. I mean, phoniness as a defense I understand, but how do you turn it into a glory? Welcome to Macy’s.

So okay, there was that set piece, which appalled Beth. I simply savoured yet another Pure Product of America, Incorporated.

The hosts of this spectacle were 2 from the CBS morning show. I do not watch that or any morning show. The woman was Latina, which allowed her to reference that she was Latina. The guy was a dull plum. The deal is that Thanksgiving is a celebration of our diversity, yet it is also a dedicated study of but one strand of heritage. Turkey yes, but with plantains or matzo balls or lasagna or…

So these two were directing traffic, which consisted of a steady flow of actors in to hype their latest projects, more Broadway inanities,  occasional glimpses of marching bands, longer views of floats, and some scripted banter with the crisp projection of wet toast. At first I was switching to the NBC version of this, but found no escape, so I stayed with CBS.

Early on, we were thrown to the Hard Rock Cafe, for a song by Reba McIntyre. She looked a bit refurbished but she is likeable, with that weird C&W genuineness that Dolly Parton has. I do not think that she or her band were lip syncing it, unlike all the Broadway crap.

There was an antic moment with her band. The bass player, who looked very bass playerly, was going all groove guy. In his funk transport, he swung his bass around, nearly hitting the pedal steel player, who kept replying to these infreactions with mystified stares.

The production streamed by for three hours, and I was there for it all, tho not with full attention. The best float was the last: Santa’s. It spanned two vehicles, and consisted of a village scene above which flew a sleigh and reindeer. Nifty engineering and it looked fine. Bravo. Sitting next to Santa was a little girl that I guessed was the producer’s daughter. Unlike all the other children in this and all the other floats, she was not laughing or excited, just sat there primly. You could imagine her complaining that she was cold or that she wanted hot chocolate. I am of course extrapolating.

Well that was it for Thanksgiving tv. No football. We carted over our contribution to the dinner around 3:00. PLUS a California Chardonnay, a South African Cabernet. Never did open the German wine…

Years ago, while working for a wine business, the possibility of importing South African wines opened. Sanctions had been lifted. I at first thought this was terrible, an exploitation. It turns out that all three of the wineries that we imported were signatories to an agreement to reject apartheid, provide all workers with proper working and living conditions, and generally be benign businesses. There was no such thing in California at the time, and we know that Ernest and Julio were far from gracious towards the migrant workers upon whom their business depended. The wines of RSA are wonderful with a heritage there of some 3 centuries. Don’t miss them if you can. I guess I digress.

So the meal was as it should be. Our hosts with their traditional corn pudding, which I had never had before, and us with Beth’s squash soup, with a sparkle of orange zest and spices. Plus all else, and desserts.

Post-prandial music was an array of country sorts of music, the highlight of which was a recording by Allison Krause and Robert Plant. I never was a fan of Plant with Led Zep, tho I get why he shrieked, what with having to compete against pyrotechnic Page, and the heaviest handed drummer this side of Buddy Miles. His oeuvre is quite varied, and his singing is too. With Krause he sensibly sings in support, and does so generously. Surprisingly pleasing music to me, surprising because it was outside my usual earful.

And Beth wanted, still, to do a dinner at home, and we had already ordered a small turkey, so we boot up again today… I can now report, in update, that this second turkey done well as well. And I made an apple/blackberry tart via Martha Stewart, complete with leaf shapes (of crust) on top.

Happy Post Thanksgiving!

The Mall

Beth and I took a faulty cellphone to the Verizon store at the mall on Tuesday, and ended up amongst the emporiana for quite a while. Woo hoo.

Must say that we are into the shopping experience, even if we buy nothing. That’s why Costco is such a treat. I mean, the satisfaction of buying 20 rolls of paper towels is obvious. You can look at the calendar and think how many days and weeks, months even, and you will not have to buy paper towels. But walking around thru all that input is compelling too.

The mall is interesting for its complex of strategies. There are failures, of course, but even among the successful the methods vary. People lunging at you with their products does not seem workable, but many use that model so it must have some success. One plucky person said as we nixed his advances, just remember it is the greatest product ever. I think it was something you put around your neck to relax.

We arrived at the mall around 11:00, which is to say the place was still rubbing sleep from its eyes. We went directly to the Verizon store.

The game here, you sign in, then wait your turn to be served. You are more than welcome to survey the kajillion phones and accessories available to you. Tempting, but I have not yet committed to the phancy phone, not that I champion Ned Ludd, here. It is a slippery slope of buy more. Commerce, thy name is envy. We did not have to wait long before someone escorted us to the service desk.

After that business, we wandered around. Let’s see. Brookstone pulled us in with their usual trick. One of the sales help was playing with a radio-controlled helicopter at the doorway. Neato. How come I never got one of those? I was drawn to an ecology experiment, a small frogitorium. This was a niche consisting of a clear plastic box filled with water, gravel, 2 tiny frogs, and a bit of bamboo. The bamboo helps maintain proper oxygen level in the enclosed system. Take that, sea monkeys!

Looks a little Spartan in there but at least the frogs are paired (said the anthropomorphist). Well, we have a betta at home, a professionally chippy breed. He seems to keep interested.

I think we hit Nordstrom’s next. They are new in this area but Beth knew them when she lived in Seattle. She remembers the stores being decent value ones, but they are more upscale now. Beth got into a conversation with the person at the jewelry counter, memories of Nordstrom’s. The woman revealed that several people were from Seattle and also from Alaska, where Beth lived for a number of years. Surprising how many people from Alaska that Beth meets.

We wandered out of Nordstrom’s and stopped at Au Bon Pain. I remember going to one long ago, a regular sit down restaurant. Now it is a get it yourself place, mostly bread and coffee, plus soups and sandwiches. Decent enough stuff in a cramped and awkward setting. If we could just eschew customer comfort, I know this business will take off, says the expert at corporate.

Television screens are set up all over the mall, with a constant stream of ‘content’. The content consists of tedious bits from CBS shows, like the morning program or that wearisome late night one with the Scottish guy, looping with daunting regularity. Plus random headlines, trivia quizzes, and other distractions. Jiggle a piece of string in front of me and you got my attention.

On a previous loop there was some rock band in a live mall show. I mean 30 seconds worth of the dynamic excitement, which included excited teens connecting with rock star theatre. At the mall. Come on baby light my fire.

Beth entered the Betsey Johnson store, I hung by the doorway. The message here would be hip and young, tho I do not know if such a message is itself hip and young. There was a telly in there, as well, but with its own content. I stared at it longer than I might because it seemed that Suzanne Somers was in the video. Could that be? Is she fresh enough still? I could be wrong, it could have been a pure nobody. This content consisted of said Somers doppelganger (but I really wonder it if were the star herself) putting Latest Styles on a tall thin model. It was antic in a sort of legally required way, with brightly coloured accessories being put on and removed at better than normal speed. When each transformation was done the Somers character would hold up a speech balloon with some trance-inducing comment. I dunno. I did not consult with Beth but I think the salesperson was moderately helpful.

We returned to Nordstrom’s because I was curious about men’s apparel there. I usually wear men’s clothes but there are times that I wear men’s apparel. Beth swore the store served men as well but I had yet to see the like there. One thing I will say about Nordstrom’s, it is set up with a vision. There are no tall displays or inner walls to limit the vastness of the place for the shopper. The horizon is full of merchandise. All of which could be yours.

Maybe 3/4 of the place is for the lady of the house but the gent is well served as well. I felt fairly impervious to the studious charms of the goods until I tried a winter coat on. It was a charcoal cashmere and silk (or whatever) thing that felt really, really good. It was something I could use, tho I am not in desperate straits coatwise. It was priced higher than I ought to pay, tho I felt it was worth the price. Two salespeople, passing by, said it looked good on me, which indicates some training on their part. It is not that I need to be swayed with that, it is just that too many stores are filled with whaddya want.

A salesperson in men’s wear asked if I needed help, but I just wanted to prowl, which I proceeded to do. Beth engaged him in a long conversation. He was informative, opened sales possibilities but did not press. He too was from Seattle. The only other thing besides the coat that struck me was the parti-coloured socks. They bordered on psychedelic. I did not know the well-dressed man was doing that. When I ran track, it was our thing not to wear white socks, in fact the louder the socks the better. When I started running on my own years later, I perspicaciously wore ONLY white socks. Now my rules are fluid.

I realize that money is just money, and some people do not blink at $200 ties. I do not see what you get at that price over something cheaper by 20 or 40 percent. Silkier silk, I suppose.

We left Nordstrom’s with the idea of finding a simulacrum for that coat there, at more modest price. We passed by J Crew, which looked like it had had a snowstorm inside, decorator gone wild. I used to like J Crew, but the people there are snotty enough to make you reconsider shopping there.

We entered Burberry Street hopefully. It was set up confusingly so that you do not know where to go at first. That is bad planning. I found something that was in the ballpark, stylewise. They only have one example of each style, so that the salesperson can sales you. She got one that might fit. It sort of did, but was cut oddly, or maybe I am. No, I’m pretty regular. The price was more than 1000 bucks. I had no inkling from the quality that I perceived that such a price was possible. C ya.

The center of the mall features Santa’s photography workshop. It consists of a maze of Xmas decoration leading to the man himself. Santa was in, but over-excited children were not. I could see him thru the glitter, looking bored and mildly forlorn.

This mall, I should mench (and have mentioned), was the scene of that blockbuster hit Paul Blart Mall Cop, which I have not seen. It was filmed just after Xmas, last year or maybe the year before. I am sure we visited other venues, we always do. Beth always asks about business (as part of a grander economic view), and always gets interesting answers.

No bookstores at the mall. Surprising?

Somewhere along the way, we could hear the song Santa Baby. Oo, I think we were at Whole Foods. It was thankfully not the Eartha Kitt version, nor by anyone trying to sound like her. It was upbeat, which muted some of the song’s parlous shock. Hey, it was co-written by the niece of the Jacob K Javits Convention Center. What a heinous song!

From the mall we went to Marshalls because it so happens that I got a coat there by the same manufacturer as that one at Nordstroms. The guy at Nordstroms, by the bye, said that the maker of $200 ties there also sells goods to Costco. I really like the coat I got at Marshalls, made by Sanyo, and priced for Marshalls. There were a few serviceable coats, but nothing warranted a splurge. Beth found a coat she liked but let it pass, let it pass. I saw WWE action figures, featuring all of my favourite stars: The Edge, John Cena, Randy Orton, even Rick Rude and Arn ‘The Enforcer’ Anderson. I used to watch this crap years ago but except for ads do not see that stuff anymore. My friend, long ago, said of The Gong Show: it gives a comprehensive view of ourselves. Likewise wrestling, and it isn’t comfortable.

I never had interest in GI Joe as a gullible proto-consumer. Too static, I imagine. Seems like soon enough you are throwing rocks at such things, or shooting a BB gun. Let’s put a firecracker in his hand!!! I guess it is suplexes out the window for our WWE friends.

For the young lady, there was a Hannah Montana text phone. Push a button and you get messages from Hannah, Miley, and two of Hannah’s (not Miley’s) friends. These messages are described as uplifting, and include such as YOU ROCK! and C U L8TR. There’s a clip on the phone so that it can be attached to bag or pack. Which means your child can zone out in spelling class with lame messages just like her older siblings in chemistry.

Yesterday, another shopping trip, we went to Whole Foods for final bits of Thanksgiving. We are going to friends this year (today), but we are bringing the bird. We have not had Thanksgiving at home since 2004. We got a second bird just so that we could do it ourselves this weekend. Both of us strongly missed my father. The four of us had a nice compact. I used to bake 8 loaves of bread a week, just enough for the 4 of us. The first loaf, no matter when it went into the oven, would be gone by dinner time. For various reasons, I stopped making bread. Made some yesterday. Forgot some details but they came out fine.

A foggy Thanksgiving today. May it be a happy one, for you, for me, for all.

Spider-Man

Erin and I watched this last night. Meant to watch Jason & the Argonauts, but it was no longer in Comcast’s freebies. I remember seeing Jason when I was young, eyes wide no doubt. The special effects hold up well. But anyway…

Spiderman (I do not really want to use that requisite hyphen, thank you) is about as good as superhero movies get. It is nice that Sam Raimi knew what to do with the money he was given for it. The movie looks fresh from the start.

Tobey Maguire is an unlikely choice for Spidey, in the sense that some blander hunk might have been chosen. He has dorky charm. No complaints about the rest of the cast. Kirsten Dunst puts depth in the pretty girl role, and Willem Dafoe is Willem Dafoe. Gosh he is wiry. I think he was in a movie in which he was a boxer in a German concentration camp, fighting (literally) to survive. Lean then, lean now.

As with all these superhero flicks, there is a long portion supplying us with how the superpowers developed and how the arch villain came to be so arch. Added to that is several other plots mostly surrounding Pete and MJ. Thanks to Marvel, comix turned to the inspiration of soap operas to keep their legions of fans interested. Yeck. It is just clutter when you do not really mean it.

So anyway, when something hi-tech goes wrong for Peter, it is a good thing, when something hi-tech goes wrong for Dafoe, he’s blowing people up. Well, that Dafoe is tightly wired, we all know that.

Spidey in action is giddy stuff, reflecting the tone of the comic. Yes, as Peter Parker he is morose, but swinging thru NYC, he’s a happy camper. The effects sometimes look cartoonish, but the sweeping camera views make up for that. And unlike with Star Trek, I was not suffering vertigo.

I liked the 2nd Spidey, as well, tho I can barely recall it except that it had Doc Ock, and there was the scene in which Spidey stops a train, which was cinematically exciting but I’m thinking that it pushes the reasonable limits of Spidey’s strength. Never saw part trois.

Funny to think of comix as such a mine for movies. I mean, yes, of course they invite the transfer, but they are hit or miss. Mr Fantastic’s powers, for instance, are just ridiculous, unbelievable. Spidey stopping a train leaves one wondering if he has limits. Tho he was mightily wasted from the effort, you still think, come the climax, he will have to do more. I think with myths like Jason, there is a more meaningful imperative. At any rate, Spidey comes as close as I have seen for a superhero movie to have soul.

A Little Help here, Ron

Ron Silliman's collection of check it out is a valuable resource, but the vague and enigmatic titles for his links throw stones in the passway. A clearer indication of the rewards at the end of the click would be welcome. Just a suggestion from Dear Reader. I appreciate his effort natheless.

A Couple of Things Around

1. Jack Kimball’s Pantaloons. This has been a worthy read for years. Jack’s criticism and his reportage have always been strong. For a while now, his focus has been on the political mush surrounding and overwhelming us. The result of that focus is not simply commentary but a political implementation of language. This is keen stuff. In some sense, language is politics. Jack has been deploying language like bolts of disordered reason. It is a sort of healthy overunsimplification that twists the way the lowdown villains twist, then twists again.
2. Ben Friedlander regularly serves American Poetry in the Age of Whitman and Dickinson to us. Ben is a scholar, has that rigour, but is also a poet. This blog represents notes of his interest. I particularly liked the intimations (he’s adverting a full study) of Dickinson’s war poetry, and a brief on Theodore Parker, who was much more Emersonian (if you will accept that shorthand), than I knew. Not just an abolitionist, that is: he was friends of the Brownings!

Leonid Shower ‘09

We planned to visitate the Leonid Meteor Shower this week but had the day wrong. Beth had to work that night and Erin conscientiously thunk about his early class next day, so we canned it. But I woke at 2:00 got up and wandered locally for 90 minutes. I saw little in terms of meteor thigns, tho conditions were decent.

The next night, things were green, and we were hopeful that bits of star stuff would continue to zip excitedly thru our atmosphere. Finding a darksome locale for viewing in our populous region required some thinks, but we chose some conservation land amongst the 4000 citizens of Carlisle, MA, hoping the coppers don’t prove a bringdown, man.

So there we were, on a blanket on the ground. Temperature was around freezing, sky was clear. Time: 23 hundred hours.

I am inexplicably cheered by the sight of Orion, mon ami. It is one of the few celestial bodies that I can identify. I read that the meteors would emanate from the region of Mars, another body that I can identify. Not for us! The few meteorites that we saw (witnessed would be an appropriate verb, so fleeting is their appearance) were off to the left.

But it did not matter that we saw so few. It was lovely being out there together, with the expressed intention of looking at the sky. Even aircraft, mostly from this planet, are of interest. We could hear owls hooting, the occasional rustle in the woods of maybe deer, and then…

And then a nearby auditory gallimaufry—or do I mean salmagundi?—of coyotes on the hunt. They were down that way, towards the river (the mighty Concord of legend was about a 1/4 mile away). We took their excitement as cue to leave. Yes, we got spooked, but aggressive coyote packs have been documented recently. A couple of years ago Beth and I watched a lone coyote in broad daylight stalk carelessly within our apartment complex near the center of town, here kitty kitty kitty. What I am saying, it was a concern, tho really, we were done by then, and ready for easeful sleep.

It was fun and more to share this with my family, that is what I am finally saying.