Rodney Koenicke takes notice of Dana Ward’s notice of a filmmaker’s notice of Art Garfunkle’s hands in his (Garfunkle’s) pocket, here. The deal is this: said filmmaker edited Simon & Garfunkle’s famous Central Park concert down to only showing Garfunkle with his (like I said, Garfunkle’s) hands in his pocket. What a deliciously odd idea! Ward’s reactions to this are bright and useful, as is, just generally speaking, Koenicke’s to whatever he (Kornicke) sets sights on. In case you did not know.
I am no S&G expert, but can say that Garfunkle’s hands in his (Garfunkle’s) pocket have struck me. He’ so weirdly disengaged, it seems to me. I would love to see this film, because as ‘wonderful’ as S&G might be, they always seemed tepid to me. This reminder of them led me perforce to Wikipedia, where I learned that S&G’s producer, on his own look out, added rock music tracks to “Sounds of Silence”. This shifted the song from ‘pure’ folk to that demon mixture: folk-rock. How tedious the folk version must have been, I can only imagine. And yet, there is a field there, sown and ready to harvest. Which is at least one point to glean from the film and reaction to it.