Saturday, December 10, 2022

More Mahabharata

More Mahabharata


The battlefield action in the Mahabharata strains belief. Not its fantastical nature, I expect supernatural exploits in mythological tales, but just the difficulty of imagining the events. When we read that thousands died at Arjuna’s hand as he plunges into a fray, we can shrink that figure down to tens or a lot. if we are thinking of historical events. I don’t know what historical event might have inspired the story. Perhaps some Hatfield versus McCoy thing amongst cousins expanded to include a few trillion souls on their karmic journeys including every person dumb enough to be a chariot driver, id est expendable.


A few instances of so-called celestial weapons occur. These offer complete devastation in not quite explained ways, gifts from the gods like nuclear bombs.. Mantras and magic can also be weaponized. Arjuna’s quiver remains always full despite shooting thousands of arrows a second. I can’t even picture that, tho folks at Marvel Studios probably can. The fighting brings Marvel to mind because tho the nameless cannon fodder feed rivers of blood, the upper echelon heroes join in fierce battle but walk away merely wounded. Or pouting.


Heroic speeches prior to engagement with the enemy have a long tradition. But just thinking about all these zapping arrows, strewn bodies, gored elephants and horses, overloads you. Amidst this enormous clutter of human endeavour the valiant knights scurry about seeking chivalrous one on one fights. It wears thin. The Iliad, in comparison, reads like reportage of a real event, even with the similar boasty speeches.


A marked aspect of the Mahabharata is how resplendent the people and gods are. Dressed in splendid colours and bejeweled to the gills, they are visually vivid. The Greek gods seemingly just wear robes, if that. The Norse must be imagined ever in battle gear, men and women both.


So the action on the battlefield goes clearly over the top but amidst that we still have beautiful thoughtful passages. A strong moral and spiritual note holds the story up. It comes to us by oral tradition. You can imagine the originators telling the stories, however solemn, vivacious, or thrilling.



Monday, December 05, 2022

The Mahabharata

 Halfway into The Mahabharata we come to the part that often stands alone, The Bhagavad Gita. This represents a sea change for the epic. Up till now, the work has been mostly narrative with moral and spiritual matters occasionally interpolated. Now we have Krishna explaining duty to the unexpectedly quailing Arjuna. Krishna has always been understood as a god, but in human aspect. In this section he reveals himself in his terrifying god aspect. The imagery seems fit for Revelation—i. e. crazy ass—and the vision of Krishna in full godhead doesn’t exactly calm Arjuna. Eventually Arjuna comes around.

Earlier the Pandava brothers finished out their exile by hiring themselves incognito to one of the million kings in the area. Arjuna, greatest warrior in the world, chooses to be a eunuch dancing master in the ladies quarters. Bhima huge and Hulk-like becomes the king’s cook. He also teaches wrestling. At one point the brothers come upon their enemies the Kauravas. Bhima immediately wants to find a tree he can tear from the ground to wield as a weapon. “Bhima smash,” you can imagine him saying. Wise Yudhisthira convinces him of more diplomatic measures.

The account of the battle itself lacks the precision of the Iliad. Millions seem gathered on the field of Kurukshetra. In the Iliad Homer tallies the number of ships each Greek brought to Troy, supplying thereby a plausible guess at the size of the battle. The Pandavas and Kauravas each gathered allies to help supply requisite cannon fodder. It was quite the gathering.

When I first read the Gita, I was taken aback that Krishna scolded Arjuna for not wanting to kill these his cousins. Being of the warrior class, he has a duty to fight. That duty tangled with such pointless devastation doesn’t reconcile easily for me. The terms within the epic keep death fluid. The five Pandava brothers were earlier killed by Vishnu, I think. It was just a lesson, they were returned to life. All is foretold anyway.